The Coronation of the Virgin

The Coronation of the Virgin is a magnificent painting created by Raphael Sanzio between 1502 and 1504. Commissioned by Maddalena degli Oddi for the church of Saint Francis in Perugia, this masterpiece showcases Raphael's exceptional talent and artistic vision. The painting features a classic symmetrical composition, divided into two levels that symbolically separate the earthly realm from the celestial sphere.

At the center of the painting, the Virgin Mary is depicted being crowned by Jesus Christ among a choir of angels, singing and playing music in celebration of her assumption into heaven. The scene is filled with awe-inspiring beauty and harmony, as the apostles and disciples look on in wonder at the miraculous event unfolding before them. The stone tomb on earth, adorned with flowers, serves as a poignant reminder of the Virgin's earthly existence, now transcended by her ascension.

Raphael's attention to detail is evident in the exquisite rendering of the landscape, which reflects the serene beauty of the Italian countryside. The soft, luminous light that bathes the scene creates a sense of unity and coherence, enhancing the overall impact of the painting. The artist's skillful use of perspective and composition draws the viewer into the narrative, inviting contemplation and reflection on the spiritual significance of the subject matter.

In the predella of the altarpiece, three additional scenes depicting key moments in the life of the Virgin Mary are presented: the Annunciation, the Adoration of the Magi, and the Presentation in the Temple. These smaller panels complement the central theme of the Coronation of the Virgin, offering a more comprehensive view of the Virgin's role in the Christian narrative. Together, these elements form a cohesive and visually stunning work of art that continues to captivate and inspire viewers to this day.

The Coronation of the Virgin stands as a testament to Raphael's enduring legacy as one of the greatest artists of the Italian Renaissance. Its timeless beauty and profound spiritual significance make it a must-see for art enthusiasts and tourists alike. As you explore the rich cultural heritage of the Vatican, be sure to visit this masterpiece and experience firsthand the transcendent power of Raphael's artistry.

According to the apocryphal text "The Transit of Mary", which has been attributed to Joseph of Arimathea, Thomas was the only eyewitness of Mary's Assumption into heaven. It is said that the other apostles would have been miraculously transported to the scene of the assumption, in Jerusalem, to witness the event. Thomas would have stayed in India, but after the burial of the Virgin he would have been transported to Mary's tomb, where he would witness alone the elevation of the body and soul of the mother of God to heaven, from where he would throw his belt at her.
Although there is also the version of the "Golden Legend", a compilation of biblical stories compiled by the Dominican Santiago, which says that it is the rest of the apostles who witnessed the transit of Mary and Thomas, because they were in India, they are not participants in the event, so the others must show the belt as proof of what they have seen.